![]() D is 5 semitones down from G, and therefore 7 semitones up from it, too. Remember that octaves consist of 12 semitones? In the chord of G Minor, the fifth is D. That means the pianist’s hand is less stretched when playing a chord With 12 notes in a chord, chord tones more than five semitones away can often be accessed with a smaller leap by ![]() That means, we try and keep the distances between notes from chord to chord as low as possible – like how a pianist would probably play it. When playing from one chord to the next, we at Captain Plugins generally try and minimize the leap for a pianist. Here’s how the 1st and fifth sound together in a standard G Minor chord: Regardless of scale, the 1st and 5th together always signify which chord is being played. The 1st and 5th notes are the over-arching chord tones. The middle note, or third, is what signifies whether a chord is Major or Minor. So, we can count four keys (or 3 whole notes) up from G to reach the third – B♭. On a piano, a semi-tone step is simply a key up or down from the current key. We call this note the ‘third’ because it is three whole notes from the root, G. In G Minor, the middle note is 4 semitones above the root. The number of semitones between each note varies if the chord is Major or Minor. Starting from the root, triad chords contain 2 additional chord tones. We already have the Root, third and fifth present in the basic triad. These additional notes are called ‘chord tones’. You can add notes, or ‘complexity’ to this triad and increase the polyphony. ![]() The basic triad of G Minor looks like this: Chord Learn how to use the chord and key of G Minor with our guide! It’s one of the most common chords in modern music and the root key of many smash-hit songs. The chord and key of G Minor (and how to use it in your songs). ![]()
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