Inputs - ATEM Production Studio includes advanced 6G-SDI and HDMI 4K inputs that are SD, HD or Ultra HD switchable so you can connect to virtually anything! Every input supports embedded audio mixing and features a frame resynchronizer so you can use sources without genlock such as consumer HDMI cameras or even computers for live PowerPoint™ presentations! You also get 2 balanced XLR audio inputs for connecting professional mixers and a HiFi audio input for consumer equipment like an iPod®. Only ATEM gives you such a wide range of control options! For demanding live production environments you can add a hardware based ATEM 1 M/E or 2 M/E Broadcast Panel featuring the highest quality buttons, knobs and faders for even faster switching. You get full switcher control from any laptop or desktop computer with the included ATEM software control panel for both Mac and Windows. Powerful Software and Hardware Control - ATEM live production switchers have the widest range of control options. Many live events now use massive high resolution LED screens and projectors and now you can drive those screens in full resolution. Take your live production beyond broadcast quality! ATEM Production Studio 4K has all the features you need for the most innovative live concerts, sporting events, theater productions, conferences and more! When you're doing live events with super large high resolution screens, then simply switch your ATEM Production Studio 4K to Ultra HD for incredible quality. You get powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more! The advanced ATEM 1 M/E Production Studio 4K features extra inputs, full motion DVE, stinger transitions, larger media pool with full motion clips and 3 auxiliary outputs. Create stunning multi camera live production with the world's most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can connect a wide range of video sources such as cameras, disk recorders and computers.
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